‘Moira’ . Foundry bronze, wood and steel (Edition of 6) . Height - 173cm (inc base) . Width - 45.7cm . Depth - 35.6cm . POA
'Pelita Affiorante' . Mixed media assembled on wood panel . Height - 285cm . Width - 180cm . POA
‘Untitled (Key Pod)’ . Foundry bronze (Edition of 4) . Height - 165cm . Width - 38cm . Depth - 38cm . POA
‘Untitled (Raven Pod)’ . Foundry bronze (Edition of 3) . Height – 190.5cm . Width - 61cm . Depth - 61cm . POA
'Alexandra I' . Carrara Marble and wood . Height - 153 cm (inc base) . Width - 75 cm . Depth - 60 cm . Private commission
'Alexandra I' (detail)
'Alexandra I' (detail)
'Alexandra II' . Carrara Marble and wood . Height - 104 cm (inc base) . Width - 200 cm . Depth - 80 cm . Private commission
'Alexandra II' (detail)
'Alexandra II' (detail)
'Raconta di Te' . Mixed media on wood panel . Height - 120cm . Width - 90cm . Depth - 6cm . POA
Daniel Park
His figures appear hewn from smooth blocks of stone or granite emerging organically and flowing upward.
Daniel Park creates work in the figurative tradition with a contemporary sensibility that suggests a quiet, contemplative presence and an understated use of symbolism. His sculptures compress and simplify the human form into smooth, organic volumes that appear both grounded and in transition. Their subtle patination possesses a richness and depth that evokes timeworn monuments and artifacts shaped by memory, erosion, and time.
Daniel Theodore Park is an American multidisciplinary artist whose work spans sculpture, mixed media assemblage, installation, and works on paper, with a primary emphasis on sculpture and material-driven process. After studying sculpture and architecture at Arizona State University, Park lived and worked in San Francisco, Italy, and New York, maintaining parallel practices in architecture and art throughout his career. In 2021, he returned to Italy, where he currently lives and works.
Working across marble, bronze, wood, plaster, paper, and found materials, Park develops his work through an open-ended process shaped as much by accident and material response as by intention. Forms move fluidly between figurative, organic, and abstract associations, often suggesting states of transition, erosion, balance, and quiet tension. The work invites contemplation and imaginative response rather than fixed interpretation.
Park’s work has been exhibited in California, New York, and Italy, including installation projects in Pietrasanta and Seravezza, and is held in private collections in the United States.